hello i am here today to not lose track of the art cheats i have discovered over the years. what i call art cheat is actually a cool filter/coloring style/way to shade/etc. that singlehandedly makes art like 20 times better
I hope you don’t mind, but I slowed the gif down because that is a FANTASTIC move.
The sword clearly cuts his wrist and waist. I mean he took the guys sword away, sure, but also fucked up his own ability to fight at the same time. It’d be one thing if he was wearing armor, but this is like a dueling thing.
I think you give too much credence to a Sword’s ability to cut. This is from the manual I practice, “Il Fior di Battaglia,” “The Flower of Battle,” by Fiore dei Liberi. I have performed this maneuver, and I’ve gotta say, when done right, it feels good.
Point being, if you do it right, when you pivot around your guard and bring the pommel around the blade, your wrist does come into contact with the edge, but there is no sliding motion, and it’s that sliding motion that causes a blade to slice. You pivot, pull against the blade, and it goes flying as your wrist pulls away from the edge.
I’ve never made a blade go flying so far as the guys in this video, but even if I did, the blade doesn’t have the right kind of leverage and power behind it to cut into his waist there. It would strike him, and he might feel it, but I doubt it would even scratch his clothes.
An artist : Aw man! I saw my arts were reposted on Instagram. I’ve asked them to take my arts down but they ignored me.
Me : Say no more! Click this link, then click ‘fill out this form’. Fill the form and wait for about 1-2 days, the staffs will remove the image you were reporting from the reposter’s account :^)
hope you don’t mind me adding some more info :’D
Many websites have those complaint forms you need to fill out to submit DMCA notice. Here are some of them:
Hello! I wanted to ask something art related- I've watched your streams and youtube videos and I was wondering how exactly you changed your sketch lineart to that vibrant blue? I see you using the autotone setting but is there any pre-setup you did with autotone to get that? I've tried using it in photoshop but it never seemed to do anything aha. Thank you for your time!
Say you accidentally drew your clean lineart over your sketch lineart (like me!)
Go to Image >> Adjustments >> Black & White and this little window will appear
Bump the Cyan all the way up or until the sketch layer disappears.
TADA!
Hmmm but now the lineart isn’t transparent like I wanted it to be….. what do?
If the image is flattened, unlock the lineart layer first (assuming the lineart layer is the background layer)
Go to the Channels tab and click on the little dotted circle on the bottom
This will happen:
Congratulations! You have selected all the white stuff surrounding your lineart. You can either inverse select to get a selection of the lineart or just remove the white stuff by pressing Delete.
Natural Black Hair Tutorial! Usually Black hair is excluded in the hair tutorials which I have seen so I have gone through it in depth because it’s really not enough to tell someone simply, “Black hair is really curly, draw it really curly.”
The next part of Black Hair In Depth will feature styles and ideas for designing characters and I will release it around February. If you would like to see certain styles, please shoot me a message!
YES! BOOSTINGGGG FOR MY FOLKS WHO WANNA/NEED TO KNOW HOW
To all of my california friends who can’t miss fireflies because they haven’t ever seen them.
^ what? do they not have fireflies in CA??????????
Nope! They don’t really live west of the rockies. The first time I saw them in Ohio, I thought I was hallucinating.
The fireflies were the most fantastic part of my first visit to America. I was with my BF and my roller derby team and we were in one of those yellow schooll buses being taken back from the tournament venue. I spotted some lights in the bushes and pointed it out… then we all lost our minds!!! As it got darker we saw there were SO MANY! Our American hosts couldn’t believe how crazy we were for them… but there is nothing even remotely like this in Scotland, it was like being in a fantasy movie or something. I’ll never forget them.
I love them so much! They come out part-way through my Speculative Fiction Writing Workshop (now taking applications! Pat Cadigan returns as special guest author this year!) each year, and it’s such a joy to introduce these little delights to people from parts of the world where they can’t see them.
PS: In Minnesota, we called them “lightning bugs.”
We had them in Norfolk, Virginia when I was a kid. Same time of year as the junebugs, but those are in the daytime.
Ok but imagine being an Irish immigrant coming to America for the first time having never heard of them and just…nope nope nope Don’t Go In Those Fields The Fairies Fucking Followed US I Thought We Would Be Free Of This Nonsense
Stumbled across your art recently, and I totally admire your work! As a complete noob to the digital art scene, I'd just like to ask whether you have any tips on colour picking (like for skin tones, under varied/dramatic lighting and such!). I have a ton of other things I want to ask, but I'll limit myself to one question and then try to google the rest, haha/ Thanks for sharing your art with us! ^^
ahh thank you so much! ♥ welcome to the digial art scene friend, i hope you enjoy your stay and ctrl + z
now onto your question! (if you don’t know what layer and layer modes are and how they generally work you should probably google that before you continue reading)
we all perceive colour differently (thx science) and i trust my intuition a lot when it comes to colour picking because of that, and also because i feel like you can make pretty much every colour combination work within the right context. context is key! but still, remember that all of this is about how i perceive colour, so you might not agree with everything i say.
here’s a quick rundown of terms you’ll see around a lot in reference to colours and shading: the hue, which is the ‘colour’ itself, the saturation aka the intensity, and the brightness [or value] which describes how dark or bright we perceive a colour to be.
rule of thumb: when you shade don’t just add black (or white) to your base colours, that will make your drawings boring and lifeless. use different hues and saturation!
now first things first: which skin colour does the character have?
you’ll mostly be navigating in the red to yellow spectrum for the skin tone. so when i pick the base colours i usually start with the skin and adjust the rest of the colours accordingly. if you’re not sure where to begin it might help if you first determine the values (brightness) of the base colours in grayscale.
and here are a few colour variations—i stuck to the approximate values but played around with a lot of different hues and levels of saturation.
now compare 3 and 5: you’ll notice that 3 is very bright and leans towards orange hues, whereas 5 has a pinkish tint.
on the left i gave 5 the hair colour of 3 and in my opinion the pink hue of the skin doesn’t go well with the orange undertone of the hair. you’ll have to experiment a lot to find out which combinations work for you.
ctrl + u is your biggest friend (or image >> adjustments >> hue/saturation in photoshop, the shortcut works in sai and clip studio paint too). play with the sliders and see what happens. i do that a lot myself, because it’s easier to coordinate the colours like that afterwards instead of trying to manually pick perfectly matching ones right away.
for further adjustments i like to use an extra semi-transparent layer on top of everything with just a single colour to add atmospheric light. this unifies the colours and makes them more harmonious, if that’s what you’re looking for. this is about as far as i’d go if i didn’t want to shade the drawing.
if i do want to shade, especially with high contrasts and dramatic light, i darken the base by just adding an additional black layer, here set to 40% opacity. of course you could add a colour layer like the ones i mentioned previously too.
to create an impression of dramatic light you need a high contrast between light and dark areas (1). if i want additional visual intrest i often add secondary light which falls onto the main shadow areas. here i picked a faint greenish blue to balance out the yellow (2). and since light is at least partially reflected when it hits a surface you should add a faint glow that goes across the shadow/light border. i uses a mid-brown with a very soft brush on a layer set to overlay here (3).
for this shading style i like to use the layer mode colour dodge with lowered opacity + fill settings. for some layer modes opacity and fill do the exact same thing (e.g. for multiply or screen). however for colour dodge there’s a big difference:
a lowered opacity merely alters the transparency of the entire layer. that looks pretty awful sometimes, because the bright orange affects the dark of the hair much more intensely than the already brighter skin. but when you lower the fill percentage you primarily lower the amount of light that falls onto darker colours. so the layer’s opacity setting treats every colour equally whereas the fill setting takes their values into consideration. it might be hard to understand if you don’t try it out yourself, so just play around to get a feel for how it works!
and to summarise, here’s a process gif:
colour is an extremely big topic and i’ve only barely scratched the surface but i hope that still helped you out a little! the fastest way to learn is always to try things yourself, so grab a sketch and experiment. 👍
