“Historically speaking, animating female characters are really, really difficult, ’cause they have to go through these range of emotions, but they’re very, very — you have to keep them pretty and they’re very sensitive to — you can get them off a model very quickly. So, having a film with two hero female characters was really tough, and having them both in the scene and look very different if they’re echoing the same expression; that Elsa looking angry looks different from Anna being angry.” — Lino Disalvo on animating Frozen, explaining (essentially) why they removed all the female supporting characters and replaced them with men. [[edited for accuracy]]
Yeah, I call bullshit.
don’t blame women because you’re a shitty animator
so basically what you’re saying is
“it was too harddddddd I didn’t wannaaaaaa.”
“i dont care enough about women to animate them like reeeaaal peopleeee”
Teach a class about racism… and this is what happens.
Sooo white people calling out white people for white tears. This is important, watch it all and also pay attention to how the white woman in the red sweater with the short brown hair doesn’t detach herself from white people and she basically says, “fuck our feelings because PoC go through this all the time”
This is what white people can do instead of being mad at people of color yelling “but every white person isn’t like that!”
Tired of seeing women be the only ones who have to let it all hang out in love scenes? So is Hugh Jackman. Here he is discussing why he felt it was important — nay, necessary — for Wolverine to give you the full cheek peek in X-Men Days of the Past of the Futures that Have Passed:
“I land back in 1973 - this is what the script says - I wake up next to a girl who I don’t remember, and I get out of bed wearing boxer shorts. I was like, ‘I don’t know about America, but in Australia if you’re next to a really good looking girl, you’re not getting out with boxer shorts on or briefs or anything.’ So yeah, I went commando. […]
They bought a bright green sock for me to wear and I was like, this is kinda drawing more attention than less. They said no, we need bright green, like a green screen, so if you bend over or turn around, and we need to erase anything, we can. I said that’s even weirder. They said please put it on, but the end of the first take I was like ‘Ermm, it’s gone, I don’t know where it is.’”
